
- 06.07.2022, from 5.30 pm / Installation
- 07.07.2022, from 3.00 pm / Installation
- 08.07.2022, at 3.00 pm / artist talk with Francesca Raimondi
- 08.07.2022, from 10.30 am / Installation
- 09.07.2022, from 11.00 am / Installation
- 10.07.2022, from 12.00 pm / Installation
Structural inequalities and exclusions are recurrent topics in the artistic work of Núria Güell and lie at the core of her action “Human Resources”, developed in collaboration with detainees and the team of the prison JVA Frankfurt am Main IV. Different schemes allow for inmates to be employed as workers in state or private companies as part of prison reintegration programmes. “Human Resources” proposes to recruit this workforce for the benefit of the art institution: to make up part of the team running “Bodies, un-protected”. Furthermore, during the festival, inmates will share insights into their experience of what it means to be un-/protected in video interviews and written protocols, and hand over questions that apply equally to the institution of the theatre and the institution of the prison: how do we distribute the value and validation of bodies, of visibility and recognition? How do we imagine and project ideas of protection onto bodies in stereotyped and clichéd ways?
Language: English and German
Cast & Credits
Concept, Realisation: Núria Güell
“Human Resources“ is supported in the frame of the programme Creatividad Desbordante by the Frankfurt Bookfair Guest Of Honor 2022, Spain.
Biography
Núria Güell
Núria Güell is born in Spain in 1981. Her practice is a practice of confrontation, of questioning evidence and moral conventions, and it usually involves moving pieces, action – be it legal or not –, moving individuals – be they accomplices or not –, or carrying out bureaucratic procedures. It also means making the public institutions that hire our services move in a direction they have not previously explored; it means getting them engaged instead of being mere spectators. Núria doesn’t understand artistic practice as a cultural practice, but quite the opposite: as a socially and politically necessary practice in which the cultural and the established are brought into play. See: nuriaguell.com