- 17.12.2018, 6.30 p.m.€ 12 / red. € 6 / € 5 for f.f.m. students members
- 17.12.2018, 8.30 p.m.€ 12 / red. € 6 / € 5 for f.f.m. students members
- 18.12.2018, 6.30 p.m.€ 12 / red. € 6 / € 5 for f.f.m. students members
- 18.12.2018, 8.30 p.m.€ 12 / red. € 6 / € 5 for f.f.m. students members
Fabrice Mazliah’s durational project “Manufactured Series” is composed of ten concentrated duets with one human and one non-human body each. The duets concentrate particularly on the non-human bodies, their hand-made quality and thus their close links to the human hand. In the first duet, dancer Katja Cheraneva joins up with a wooden Cathedral Radio built in the 1980’s. As both bodies converge, their features become visible – surfaces textures such as skin or wood, the sound waves produced by one and received by the other. Ear and antenna come into contact, a conversation ensues, while intimacies become movements.
Language: Englisch
Concept: Fabrice Mazliah
Choreography: Fabrice Mazliah in collaboration with the performers
Research and Dramaturgy: Marialena Marouda
Performance: Katja Cheraneva & Thomas Wooden Radio
Production Management: Johanna Milz & Jeanne Charlotte Vogt
Production: Fabrice Mazliah / Work of Act
Biography
Fabrice Mazliah
Fabrice Mazliah is a choreographer and performer based in Frankfurt / Main. Having collaborated and produced works with the Forsythe Company until its closure, Fabrice has initiated a long-term research into the embodied knowledge and heritage inscribed into practitioners in the field. He is interested in understanding and renegotiating the relationship between our environment, its objects, its atmospheres, and our bodies, ourselves and its potentialities. In his works, he regularly places the role of the receiver/perceiver in the centre of attention and celebrates the richness of possible perspectives that can be embodied on stage. His pieces provoke the collision of experiences and challenge binary views – allowing for a moment of suspension between the instants of perception and interpretation. He is interested in combining movement with language, in developing new forms of narrativity and poetry.