- 13.11.2021, 20.00 UhrTagesticket Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30, Film, Performance
The northern bald ibis (a.k.a “kelaynak” in Turkish) is the most endangered migratory bird in the Middle East. It is characterised by a bare, red face and neck, and long and narrow feathers. When Palmyra fell to ISIS, the kelaynak colony, which migrates from Northeast Africa to the Turkish-Syrian border, faced total extinction. In March 2016, the state-operated Birecik Kelaynak Reproduction Center decided not to release the birds from their migration-period confinement cages in order to protect them.
“The Golden Cage” refers to a set of confinements amidst the never-ending catastrophes in the region; it is a poetic examination of artefacts, ruins, water bodies and organisms spread across a highly nationalized terrain. As the embodied symbol of the state, the cage is performed through translated texts to create new contradictory associations about borders, migrations, entrapments and untranslatability. For a multitude of historical, archaeological and representative implications, these sacred birds are metaphors for this performative piece.
Language: English
The day ticket is valid for all events within “Bodies, un-protected” on the day of validity.
Admission is only possible with proof of negative Corona status (tested, vaccinated or recovered). In case of test detection, the negative result of a PCR test must be submitted and the test must not have been performed more than 48 hours ago. General rules of hygiene and physical distancing must be observed. Wearing a medical mouth-nose covering is mandatory everywhere, also when seated. More information on Hygiene and Safety.
Cast & Credits
Kuration: Sandra Noeth
A programme by Künstlerhaus Mousonturm Frankfurt am Main. Funded by the German Federal Cultural Foundation, Goethe-Institut, Freunde & Förderer des Mousonturms e.V. and Rudolf Augstein Foundation. Supported by Inter-University Centre for Dance Berlin (HZT). In cooper[1]ation with the HTA Lecture Series “(Un)settled. Performance, Protection, and Politics of Insecurity” an event of the Institut für Angewandte Theaterwissenschaft of Justus-Liebig-Universität Gießen in cooperation with the Inter-University Centre for Dance Berlin (HZT) and Kunstakademie Düsseldorf, fundeded by the Hessische Theaterakademie.







Biography
Hakan Topal
Hakan Topal (born in Turkey) is an artist living and working in Brooklyn, NY. He was the co-founder of international art collective, xurban_collective (2000-12) and exhibited his collective and individual artworks and research projects extensively, in institutions such as the Turkish Pavilion at 49th Venice Biennial; the 8th and 9th Istanbul Biennials; Thyssen-Bornemisza Art Contemporary (TBA21), Vienna; Kunst-Werke, Berlin; ZKM Center for Art and Media, Karlsruhe; MoMA PS1; Platform, Istanbul; the 9th Gwangju Biennial and ICP Museum, NY. Trained as a civil engineer (B.S.), he continued his studies in Gender and Women’s Studies and Sociology (M.S.) at Middle East Technical University. He received his Ph.D. in Sociology from the New School for Social Research. He is an Associate Professor of New Media and Art+Design at Purchase College, State University New York.