- 03.02.2022, 5.00 p.m.solidarity pricing system (you choose): € 5 / € 10 / € 20 / € 30
- 04.02.2022, 8.00 p.m.solidarity pricing system (you choose): € 5 / € 10 / € 20 / € 30
- 05.02.2022, 2.00 p.m.solidarity pricing system (you choose): € 5 / € 10 / € 20 / € 30
- 06.02.2022, 9.00 p.m.solidarity pricing system (you choose): € 5 / € 10 / € 20 / € 30
Katja Cheraneva and a Thomas Wooden Radio
Over the past three years, Frankfurt choreographer Fabrice Mazliah and his colleague Marialena Marouda have invited six fellow choreographers to enter into dialogue with a handmade object of their choice. Each duet unfolds the encounter between the two bodies and their consecutive intertwinement.
In the first duet, dancer Katja Cheraneva joins up with a wooden Cathedral Radio built in the 1980’s. As both bodies converge, their features become visible – surfaces textures such as skin or wood, the sound waves produced by one and received by the other. Ear and antenna come into contact, a conversation ensues, while intimacies become movements.
Duration: 50 min
Language: English
Cast & Credits
Konzept: Fabrice Mazliah
Choreografie: Fabrice Mazliah in Zusammenarbeit mit den Performerinnen und Performern
Performance: Katja Cheraneva & Thomas Wooden Radio
Recherche und Dramaturgie: Marialena Marouda
Produktionsleitung: Johanna Milz & Jeanne Charlotte Vogt
Eine Produktion von Fabrice Mazliah/Work of Act. Gefördert vom Kulturamt der Stadt Frankfurt und vom Hessischen Ministerium für Wissenschaft und Kunst. Gefördert durch die Beauftragte der Bundesregierung für Kultur und Medien im Rahmen des Bündnisses internationaler Produktionshäuser. In Kooperation mit dem Künstlerhaus Mousonturm.
Biography
Fabrice Mazliah
Fabrice Mazliah is a choreographer and performer based in Frankfurt / Main. Having collaborated and produced works with the Forsythe Company until its closure, Fabrice has initiated a long-term research into the embodied knowledge and heritage inscribed into practitioners in the field. He is interested in understanding and renegotiating the relationship between our environment, its objects, its atmospheres, and our bodies, ourselves and its potentialities. In his works, he regularly places the role of the receiver/perceiver in the centre of attention and celebrates the richness of possible perspectives that can be embodied on stage. His pieces provoke the collision of experiences and challenge binary views – allowing for a moment of suspension between the instants of perception and interpretation. He is interested in combining movement with language, in developing new forms of narrativity and poetry.
