Brown Madonna

Ea Torrado

© NÓI Crew
© NÓI Crew
© NÓI Crew
© NÓI Crew
The photo shows the performer from Ea Torrado in a white, sweeping dress with a hoop ring and colourful floral appliqués. She wears a blue bird-like headdress and waves from a gallery, laughing.
© Goethe-Institut Philippinen
The photo shows a performance by Ea Torrado in a white, sweeping dress with a hoop ring and colourful details. She is wearing a blue bird-like headdress and smiling as she pushes a very small doll in a pink pram.
© Goethe-Institut Philippinen

Brown Madonna

The photo shows the performer Ea Torrado in a kneeling pose. She is wearing a bodysuit made of packaging and plastic with glowing elements, sunglasses and is holding a water bottle in her hands.
© Goethe-Institut Philippinen

Brown Madonna

The photo shows a performance by Ea Torrado in a white, sweeping dress with a hoop ring. A cloak made of rice sacks covers her head and body. She holds a small baby doll in her hands.
© Goethe-Institut Philippinen

Brown Madonna

Ea Torrado

Coincidence or destiny? Filipino choreographer Ea Torrado not only shares a birthday with US pop icon Madonna – their biographies also show striking parallels: first steps in classical ballet and modern dance, a strict Catholic upbringing, the constant struggle for self-determination. But while Madonna can switch freely between identities thanks to her fortune, Torrado is forced to fulfil different roles at the same time. In her solo “Brown Madonna”, she takes this proximity – and difference -– to Madonna as the starting point for an ethnography of the living body. Why are women in Filipino culture conditioned to be spectacular givers? Mothers, martyrs, entertainers, saints? Together with visual artist and fashion designer Leeroy New, Ea Torrado creates a lustful DYI spectacle that queers and “filipinises” two powerful female archetypes and colonial exports: the Virgin Mary – and Madonna. “Brown Madonna” celebrates the burden of overachievement as well as the unquenchable desire to be loved, transforming it into a radical quest for liberation through embodiment.

Infos
  • Language: English
  • Duration: 60 minutes
  • September 27, followed by a karaoke party - The Grand Finale (Lokal)
  • September 28, discussion following the performance
  • World premiere
  • Mousonturm co-production
Accessibility

Accessibility of Location

The venue is wheelchair accessible. An elevator may be available.
An accessible stop is located near the venue.
Disabled parking is available near the venue.
The venue has an accessible toilet.
Assistance dogs are welcome at these venue. 
Sponsors and Supporters

Concept, Performance & Direction: Ea Torrado
Costume Design: Leeroy New
Collaboration Costume Design: Arvie Santos
Dramaturgy: Eisa Jocson
Dramaturgical Support: Alexandra Hennig, Daniel Darwin, Perky Parong
Sound Design: Joshua Gramaje
Rehearsal Mistress: Julienne Depatillo, Freyja Kapangyarihan
Production Management Support: Micah Sofia Pinto
Special Thanks to: Jodinand Aguilon, Joee Mejias, Tokio, Cordelia Hattori and Irene Antonia Patolot Ta-asan  

“Sincerely Yours, the Philippines” is a project by Künstler*innenhaus Mousonturm in cooperation with the Goethe-Institut Philippines, funded by the German Federal Cultural Foundation through the Federal Government Commissioner for Culture and the Media. Supported by the Kulturfonds Frankfurt RheinMain, the Goethe-Institut and “Philippines - Guest of Honor at Frankfurter Buchmesse 2025”. Supported by Japan Foundation Manila, UP Vargas Museum,Daloy Dance Company, We Are Shapeshifters, MUNI Philippines.

Biography

Ea Torrado (b. 1985, Quezon City) is a queer-identifying contemporary choreographer, performer, and educator. Her work delves into the intersections of identity, eroticism, spirituality, ecological consciousness, and cultural memory – often blurring boundaries between dance theatre, ritual performance, community practice, and experimental film. As founder of Daloy Dance Company and creator of Daloy Movement, she continues to forge spaces for embodied resistance, healing, and radical joy across locally and internationally.