The Story of the Little Mole Who Knew It Was None of His Business.

Werner Holzwarth, Wolf Erlbruch and James & Priscilla

Three people dressed in brown and gray leather coats and wearing sunglasses stand in a pile of green jackets and look up with astonished faces.
© Maximilian Borchardt
Trailer: The Story of the Little Mole
Three people dressed in brown and gray leather coats and wearing sunglasses stand in a pile of green jackets and look up with astonished faces.
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The Story of the Little Mole Who Knew It Was None of His Business.

Werner Holzwarth, Wolf Erlbruch and James & Priscilla

One morning, it happens: a brown turd lands right on the mole's head. How rude! And it's not that easy to find out who did it. While the mole asks around quite unabashedly, he realizes how interesting he actually finds the other animals' droppings. And he meets two true poop experts: the flies. Between oversized turds, pigeon droppings, and horse apples falling from the ceiling, the three players tell the well-known story from the perspective of the mole and the flies and really let loose in the pigsty disco!

Infos
  • Age: 4+
  • Duration: 60 minutes
  • Language: in German spoken language
Sponsors and Supporters

With: Katharina Breier, Carmen Yasemin Ipek, Uwe Topmann
Direction, Set, Costume & Music: James & Priscilla (C. Minckwitz, F. Scheer, N. Schneider, A. Spalthoff, J. Tibbe)
Dramaturgy: Arno Krokenberger
Art & Education: Fabienne Pickard
Outside Eye: Patricija Katica Bronić
Assistant Director: Valeria Ryzhonina
Intern: Saskia Scheffel

James & Priscilla wurde 2009 von Studierenden der Kulturwissenschaften und ästhetischen Praxis in Hildesheim gegründet. Die Gruppe wurde mit verschiedenen Produktionen zu zahlreichen Festivals im In- und Ausland eingeladen, u.A. zu der Spurensuche 2016 in Köln, Augenblick Mal! 2017 in Berlin und licht.blicke 2017 in Nürnberg.
James & Priscilla arrangiert Texte mit Popsongs und minimalistischen szenischen Elementen und erschafft so atmosphärisch dichte, karge und entrückte Theaterinszenierungen. Sie ersetzt die große Schauspielgeste durch Pop-Musik und formuliert so eine zeitgenössische Form von Pathos. Die Gruppe inszeniert wechselnd für Erwachsene und Jugendliche.