IEMA-Ensemble 2025/26 / Continuum XXI
Swarm Music

IEMA-Ensemble & Continuum XXI

© Wonge Bergmann
© SLUB Dresen
© Christian Schuller
© Haotian Yu

IEMA-Ensemble 2025/26 / Continuum XXI
Swarm Music

IEMA-Ensemble & Continuum XXI

With Continuum XXI, the IEMA Ensemble 2025/26 invites an ensemble that is dedicated to early and contemporary music played exclusively on historical instruments, thus connecting both worlds. Georg Friedrich Haas' “tria ex uno” is a modern classic that opens the program. Alberto Arroyo's work “collapse” is a metaphor for collapse: poetic, sensual surfaces develop into a tumbling collapse of sound. Eloain Lovis Hübner's “crunch modes”, inspired by current political events, social conflicts, and environmental disasters, approaches the dystopian sensibilities of our time. Electronic means create moments of unpredictability within a thoroughly composed structure. The two world premieres by this year's IEMA composer Haotian Yu and Spanish composer Diego Ramos Rodríguez are dedicated to the festival theme “Swarming.”

Georg Friedrich Haas: tria ex uno (2001)
Alberto Arroyo: collapse (2025)
Eloain Lovis Hübner: crunch modes 1.0 (2023)
Haotian Yu: orchid pavilion (telemusic) (2025), world premiere
Diego Ramos Rodríguez: PART (2026), world premiere

Infos
  • Duration: 100 min. including intermission
  • as part of the Cresc Biennale
Accessibility

Accessibility of Location

Zugänglich mit Rollstuhl
Barrierefreie Haltestelle
Behindertenparkplätze vorhanden
Barrierefreie Toilette
Assistenzhund willkommen
Sponsors and Supporters

IEMA Ensemble 2025/26:
Ingvild Ness, flute
Luciano Maria Moricca, oboe
Neus Molero Beneito, clarinet
Johanna Mayr, bassoon
Nicolás Castro Granados, saxophone (guest)
Javier Cuenca, electric guitar (guest)
Li-Ting Tai, piano
Yué Zou, piano/keyboard
Cheuk Hin Keith Ng, percussion
Suzune Masumoto, violin
Paul Rodríguez Flys, violin
Ynyr Pritchard, viola
Mari Nagahara, cello
Rebecca Lawrence, double bass (guest)
Mariacostanza D’Agostino, conductor
Delia Ramos Rodríguez, conductor
Federico Ambruosi, sound engineer

 

Continuum XXI:
Moisés Maroto, recorder
Marina Cabello, viola da gamba
Adrián Pineda, violin
Dario Tamayo, harpsichord
Dani Garay, percussion
Alberto Arroyo, conductor

As part of the master's program International Ensemble Modern Academy – Contemporary Music Performance at the Frankfurt University of Music and Performing Arts (HfMDK) and the UIysses Platform, with support from the European Union.

Biografien

Die Internationale Ensemble Modern Akademie (IEMA) ist die Ausbildungsstätte des Ensemble Modern. Schwerpunkt ist der einfährige Masterstudiengang an der HfMDK, in dessen Rahmen sich jedes Jahr ein eigenes IEMA-Ensemble formiert.

Continuum XXI verbindet Alter und Neuer Musik auf einer einzigartigen und innovativen Art und Weise. Das Ensemble entwickelt Projekte, die sich mit existentiellen Themen der europäischen Tradition auseinandersetzten und die noch heute eine Relevanz haben: Chaos & Ordnung, Stille & Schrei, Ritual Reloaded, etc.