“There seemed to me / to be no truth, / no good, / in anything big / in society."
With fiddle and keyboard, the two extreme soloists Diamanda La Berge Dramm and Sebastian Berweck transform the supposedly dead musical genre of solo entertainment into a dazzlingly cavorting coral reef. Their two polyphonic ballads overwrite experiences from a patriarchal world and its rigid assignment of biological sex. “Die Flexibilität der Fische” (“The Flexibility of Fish”) challenges and celebrates the desire for one-as-well-as-the-other as a new mythology with a vibrant texture of stories and songs that, driven by music, begins to populate voices, languages, bodies and perspectives.