Künstler*innenhaus Mousonturm

—> Programm

Suche / EN

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

loading

>

<

Tereza María Díaz Nerio

(DO)

Hommage à Sara Bartman

>> Afropean Mimicry & Mockery in Theatre, Performance & Visual Arts 2014 <<

Durational Performance

16.11.2014,
14.11.2014,
15.11.2014,

Die Performance bezieht sich auf das Leben
der südafrikanischen Sara Bartman, die Anfang des 19. Jahrhunderts als „Hottentotten Venus“ in Europa Bekanntheit
erlangte.