(c) Christian Schuller, (c) Jelena Luise

Bassem Saad/Sanja Grozdanić


Permanent Trespass (Beirut of the Balkans & the American Century)

Mousonturm Saal


Bassem Saad blew audiences away at the last transmediale with his film “Congress of Idling Persons”. The film perfectly describes what it feels like to be a young intellectual in Beirut: a restless emptiness between revolution and explosion. In his first performance piece Saad now offers a broader perspective. In collaboration with the author Sanja Grozdanic he examines various trials at the International Criminal Court and the disparity between historical narratives and personal experiences. In constructing national histories, supremacist aggressors, their victims and the International Criminal Court are called upon to recognise the reality of particular genocides and the legitimacy of particular states. However, as the experience of violence escalates and intensifies, a semantic gap opens between the vocabulary in which violence is described and the actual experience, which is like an endlessly repeated hallucination.

Please find an english ticketing guideline here (the system is only in german)

Duration: 50 Min.
Language: English
1.9. Artist Talk afterwards, moderated by Matthias Lilienthal


Admission is only possible with proof of negative Corona status (tested, vaccinated or recovered). Results of a  test may not be more than 24 hours old at this event.
Your contact details (name, address, telephone number and e-mail address) will be recorded on location before the event in order to follow-up in case of a COVID-19 infection.
No entry without a medical mouth-nose covering! Wearing a mouth-nose covering is mandatory at all times, except at your own seat.
Disinfect your hands when entering the building or grounds.

More information on hygiene and safety