Künstler*innenhaus Mousonturm

»I believe that my decision to make music professionally has much to do with his [Hanns Eisler’s] work. […] I was fascinated by the entire breadth of topics discussed by Eisler, including literature, politics, mathematics, philosophy, the visual arts, and music of course…« (Heiner Goebbels)

In the former GDR during the 1950s, Hanns Eisler succeeded in breaking up the social isolation of modern music; many of his works were written – in conscious reference to functionality and other arts – as ›applied music‹. He gave particular emphasis to the fields of mass songs as well as choral, theatre and film music. In 1998 Heiner Goebbels created a homage related to Eisler’s oeuvre in its complexity, commemorating the 100th birthday of Hanns Eisler. Goebbels uses the entire breadth of Eisler’s oeuvre in ›Eislermaterial‹ – a staged concert featuring some of Eisler’s most famous songs which Goebbels edited and arranged for performance by the Ensemble Modern and juxtaposed with original Eisler audio files in a collage. Since ist world premiere in May 1998, Ensemble Modern has performed the work more than 50 times all over the word, including in Hamburg, Berlin, Munich, Paris, Brussels, Edinburgh, Amsterdam, Vienna, New York, Rimini, Lisbon and Oslo.

Komposition/Regie: Heiner Goebbels * Mit: Ensemble Modern * Bühne/Licht: Jean Kalman * Schauspieler: Josef
Bierbichler * Klangregie: Norbert
Ommer * Eine Kooperation von Ensemble
Modern, Künstlerhaus Mousonturm und Schauspiel Frankfurt, gefördert durch
das Hessische Ministerium für Wissenschaft und Kunst und die Adolf und Luisa Haeuser-Stiftung für Kunst und Kulturpflege im Rahmen der Projektreihe UNLIMITED zur Förderung exemplarischer Positionen zeitgenössischer
Performing Arts am Mousonturm.