Künstler*innenhaus Mousonturm

As a definitive icon of American post-modern dance and pioneer of “pure movement”, Trisha Brown is one of the most influential personalities in contemporary dance. At Mousonturm, her company shows the Proscenium Pieces 1979-2011 for the last time in Germany, including milestones in dance history such as Solo Olos (1976), Son of Gone Fishin´ (1981), Set and Reset (1983) and Rogues (2011). Brown’s choreographies strike at the core of human action. Using basic movements and positions such as sitting, lying, standing or walking, she develops feathery, flowing formations out of repetitions and superimpositions, which challenge our understanding of dance to this day.

No language skills required

Direction, Choreography: Trisha Brown
* With Cecily Campbell, Marc Crousillat, Olsi Gjeci, Leah Ives, Tara Lorenzen, Jamie Scott, Stuart Shugg * with kind support of Freunde und Förderer of Mousonturm e.V. * Trisha Brown Dance Company gratefully acknowledges the generous support of The Andrew W. Mellon Foundation, Bay Area Video Coalition, Booth Ferris Foundation, the Charles Engelhard Foundation, The Fan Fox and Leslie R. Samuels Foundation, The Gladys Krieble Delmas Foundation, The Harkness Foundation for Dance, the Howard Gilman Foundation, Mid Atlantic Arts Foundation/USArtists International, the Nathan Cummings Foundation, the National Film Preservation Foundation, The New York Community Trust, the Robert Rauschenberg Foundation, The Shubert Foundation, the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council. TBDC also extends our sincere thanks to the Trisha Brown Company Board and all of the Company’s Individual Donors.