- 19.06.2021, 8 p.m. (admission ends 10 minutes before)solidarity pricing system (you choose): double box: € 10 / € 20 / € 40 / € 60, world premiere
- 20.06.2021, 8 p.m. (admission ends 10 minutes before)solidarity pricing system (you choose): double box: € 10 / € 20 / € 40 / € 60
- 21.06.2021, 8 p.m. (admission ends 10 minutes before)solidarity pricing system (you choose): double box: € 10 / € 20 / € 40 / € 60
- 22.06.2021, 8 p.m. (admission ends 10 minutes before)solidarity pricing system (you choose): double box: € 10 / € 20 / € 40 / € 60
- 23.06.2021, 8 p.m. (admission ends 10 minutes before)solidarity pricing system (you choose): double box: € 10 / € 20 / € 40 / € 60
After months of being forced to retreat down the digital rabbit hole, “deep net fake hole dark rabbit” invites the audience to return to the theatre: The performance tackles the personal lo-fi archaeology of being online and deals with the Internet as a place of finding one’s way and missing out, of inclusion and exclusion. In a shadowy surfing setting, Caroline Creutzburg unleashes upon herself the endless expanses of the WWW that she encountered in a simple Google search and which lead her to the borderlands of meaninglessness. Reconstructing her own browser history, she searches for cracks to inscribe herself retrospectively into the biography of the web. Between user-generated internet culture and the Teflon capitalism of big tech, the piece struggles for a form of protest beyond dystopian mainstream platitudes.
Duration: ca 90 min
Language: The performance will be mostly in German. If desired English subtitles possible.
World premiere
Mousonturm-Coproduction
Participation in the performance requires a smartphone with access to Telegram messenger. If you do not have access to this app, you can borrow a mobile phone at the venue. To do so, please register in advance by writing to: dramaturgie@mousonturm.de. Please connect yourself to the Telegram channel before the start of the show. You will find the link on your ticket. And please remember to charge your battery beforehand!
Disclaimer: We would like to point out that the Telegram messenger service does not have end-to-end encryption. Your chats are therefore stored on external servers and can be accessed there. If you reinstall the app, we recommend that you deny access to your contacts when the corresponding window appears.
Admission starts 30 minutes and ends 10 minutes before the beginning of the show.
All events will follow a hygiene and safety concept for visitors. Please note the following: Your contact details (name, address, telephone number and e-mail address) will be recorded on location before the event in order to follow-up in case of a COVID-19 infection.
No entry without a medical mouth-nose covering! Disinfect your hands when entering the building or grounds. Wearing a mouth-nose covering is mandatory at all times, included in the seating areas.
Admission is only possible with proof of negative Corona status (tested, vaccinated or recovered). Results of a test may not be more than 24 hours old at this event.
More information on hygiene and safety
Cast & Credits
Concept, Artistic Direction, Performance: Caroline Creutzburg
Dramaturgy: Eva Königshofen
Objects: Clara Reiner
Creative Production Management: Carmen Salinas
A Caroline Creutzburg production, co-produced by Künstlerhaus Mousonturm. Supported by the Cultural Department of Frankfurt am Main and the Hessian Ministry of Science and the Arts. Developed within the framework of artists in residencies in the FREISCHWIMMEN network. Commissioned as part of the Frankfurter Positionen 2021 festival, an initiative of the BHF BANK Foundation.
Biography
Caroline Creutzburg
Caroline Creutzburg ist Theatermacherin und Performerin. Sie interessiert sich dafür, wie sich die Welt in durchlässigen Formaten neu zusammenbauen lässt. Dabei begleitet sie stets die Frage nach dem vermeintlich Banalen und dem Emanzipatorischen im Zeigen und im Zuschauen. Ihre letzten Arbeiten waren die Digital Media-Installation „wabe[]ost“ und das hybride Solo „deep net fake hole dark rabbit“ und die Ensembleperformance “Die Vielhundertjährigen” (zusammen mit René Huari).
Am Mousonturm war zu sehen:
